Jamais Vu

Movement with Arrow Keys.

Walk into unique sprites to initiate dialogue. 

Jamais Vu is a project built for Dr. Greg Zinman's "Historical Approaches to New Media" class in the Digital Media program at Georgia Tech.

All dialogue has been quoted from various texts outlined below. For full textual citations, see attached Appendix.

WORKS CITED

Gaudreault, André. “Film, Narrative, Narration: The Cinema of the Lumière Brothers.” Collected in Early Cinema : Space, Frame, Narrative, by Thomas Elsaesser and Adam Barker. BFI Publishing, 1990.

Gorky, Maxim. “The Lumiere Cinematograph.” Nizhegorodski listok, newspaper, 4 July 1896. Translated by Leda Swan. Reproduced in Kino, a History of the Russian and Soviet Film, by Jay Leyda. Macmillan, 1960. http://hdl.handle.net/2027/mdp.39015003853564.

Gunning, Tom. “The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde.” Collected in Early Cinema : Space, Frame, Narrative, by Thomas Elsaesser and Adam Barker. BFI Publishing, 1990.

Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Harvard University Press, 1991.

Huhtamo, Erkki. Illusions in Motion Media Archaeology of the Moving Panorama and Related Spectacles. MIT Press, 2013.

Loiperdinger, Martin. “Lumiere’s Arrival of the Train: Cinema’s Founding Myth.” Translated by Bernd Elzer. The Moving Image, vol. 4, no. 1, 2004, pp. 89–118. Crossref, doi:10.1353/mov.2004.0014.  

Lumière, Auguste, and Louis Lumière, directors. L'arrivée d'un train en gare de La Ciotat. Société Lumière, 1895.

Mandelstam, Osip. “377 The Last Supper.” The Selected Poems. Translated by Clarence Brown and W. S. Merwin. The New York Review of Books, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliott. Verso, 2009.

Vaughan, Dai. “Let There Be Lumière.” Collected in Early Cinema : Space, Frame, Narrative, by Thomas Elsaesser and Adam Barker. BFI Publishing, 1990.